The Poet

The musings of a poet who has lost his way.

only-tiktoks:

(via iamjustangel)

walker-scobell:

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#She IS Ken to me

(via spongebobssquarepants)

whydidisavethistomyphone:

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(via matthew-clawchuk)

kodiakcountry:

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Hey tumblr! Just finished this art zine featuring Josiah showing off a variety of BDSM gear. I’ll share a few of the drawings from it here but the whole thing is available over on my patreon right now!

princess-pathetic-112898:

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Nothing but respect for MY Mystery Incorporated origin story.

(via spongebobssquarepants)

kodiakcountry:

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More Rulf! Sketched in pencil and digitally inked.

kodiakcountry:

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Here’s a recent sketch page I did of Arc climbing and crawling around!

theghostinchair:

the best part of the calliope bonus episode of the sandman was the absolute care and attention to detail that went into depicting the scary subtleties of men who abuse, exploit, and manipulate women. 

the brilliant casting choice of arthur darvill as richard madoc, a likeable actor who has played likeable characters, someone we would probably never think as a bad guy, to be calliope’s captor. richard madoc’s claims of being a feminist, citing famous female authors as his source of inspiration, using feminism and anti-racism as a marketing ploy to make himself look “woke”, dehumanizing calliope because she’s a muse, because she’s immortal, because he was told not to view her as human. 

the single scratch as a symbol of an unforgivable violence, dream’s acknowledgement that his over a century imprisonment is nothing compared to the decades she spent having men forcefully take from her, calliope’s gentle reminder not to compare their traumas because they are different but both valid, dream asserting that richard madoc still must be punished, calliope’s decision to forgive him in the end not for him but for herself, her setting off to rewrite the laws which imprisoned her in the first place and dream vowing to do the same in his realm. 

every aspect of this episode is so so relevant and it’s handled well at every turn, beautifully adapting its source material, giving its antagonist a punishment from his own mind, giving him an abundance of what he unjustly took from someone else and plaguing him with it until he has nothing left because that is what his actions deserved. 

also just the fact that calliope is played by a greek actress. a small detail that i love. there’s just so many good things and it’s driving me up the walls in the best way possible because i’m so glad we got these bonus episodes, i’m so glad we get to see this. 

harayaan-mo-sila:

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neil-gaiman:

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That Ben Affleck was Adele all this time has left me amazed. Truly his greatest role.

I think Neil Gaiman is one of the only celebrities that truly understands what Tumblr users want.

amused-snorted at the post first, wondered what the hell previous commenter meant, backtracked to check op username and took it like missing a step down the stairs

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theatrum-tenebrarum:

Misunderstanding Lucifer from the Sandman series and why Gwendoline Christie is the right choice (an art historian and occultist’s opinion)

I am writing this post as I’m absolutely baffled by the issues people seem to have with the portrayal of the character of Lucifer in the Sandman series. For some reason people find it problematic that the fallen angel is played by Gwendoline Christie, a powerful and androgynous-looking woman, but there is seemingly no problem with Lucifer being played by a black-haired man in the nightclub business (Tom Ellis in the Netflix series ‘Lucifer’). Don’t get me wrong, Tom Ellis is entertaining and wonderful to watch, but that particular version of Lucifer is neither canon when it comes to the comics nor does it have anything to do with the actual angel Lucifer.

Angels are genderless beings and they have always been portrayed as androgynous in the history of art. Multiple literary sources, including grimoires (books with supposed instructions on how to summon these beings and many others), state that angelic beings as well as demons are able to change their appearance. Many of those forms they might take aren’t even humanoid and they can choose not to show any physical form at all. They aren’t corporeal beings, the fact that they do take on any resemblance of a physical form is just so humans can understand them better. That’s why we’ve been painting them as human-like ever since the early times of human civilization. What we make to be similar to us is what makes it comprehensible. Portraying beings from other dimensions/realms as human-like but with androgynous features is a way to show they don’t belong in the physical dimension, as gender is likely a non-existent concept in other realms of existence. Androgyny of mythical beings, therefore, emphasizes the fact they are different than physical beings such as humans.

Therefore, when portraying an angelic being in art, or in any type of media, making them androgynous is making way for their essence to come through. In a way, the same applies to the way elves are portrayed as ethereal and androgynous since they don’t have to be corporeal beings at all, at least when it comes to folklore. I know this opinion might not be understandable to others or it might sound controversial, but I believe that not portraying an angelic being as androgynous and not showing any signs of their divine origin (these include mannerisms that emphasize their etheriality for example, a cadence in their voice that is different etc.) is a huge missed opportunity that might rob these interesting mythical beings of what they are. Not making angels feel like angels beats the point of having an angel character (in a movie, series or video game for example) in the first place.

This is why Gwendoline Christie is the right choice. At a height of 6′ 3″ (1.91 m), captivatingly pale. androgynous with a powerful specific sort of grace and presence - a perfect 'vessel’ for the Morning Star. What’s more, she understands the importance, complexity, grandeur and the mythical dimension of the figure of Lucifer, as well as the whole 'spirituality’ of the Sandman universe which is rather evident from her approach to this role and the interviews she has given so far. I might go so far to say that, even though the Sandman series isn’t even out yet (though there is some footage available already), the casting of Gwendoline as Lucifer feels right just as the casting of Lee Pace as Thranduil in the Hobbit felt right and I consider the character of Thranduil to be the best portrayal of a humanoid mythical being on TV. Lee felt like an elven king, moved like an elven king, spoke like an elven king and radiated an energy of the dimension the elven king might have come from (I’m talking about the folkloric 'Otherworld’ where elves supposedly live). I feel the same might apply to Gwendoline and Lucifer.

As an occultist, art historian, anthropologist and someone who is rather fond of the figure of Lucifer, I am looking forward to seeing how Gwendoline interprets him. Finally, we might get something completely different from a frequently portrayed 'demonic’ side/version of this important mythical character. We might just see the Light Bringer who has not forgotten his divine origin.


- Heidi (@theatrum-tenebrarum)

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  • Gwendoline Christie as Lucifer (The Sandman series on Netflix, out 5th August 2022)

(via neil-gaiman)